#The Society Jason Alvarado

[viinchester]

The Society :: 01.10 — How It Happens

The Coup // The Arrest

(Allie Pressman, Will LeClair, Gordie Monero, Clark Beecher, Luke Holbrook, Jason Alvarado, Campbell Eliot, Shoe)

Links: Part 1 || Part 2 || Part 3 || x || Part 5 || Part 6

[kurtwritestoomuch]

i just finished the society and im very upset with the cliffhanger ending that will sadly never be completed. here is my fic to try and mend my poor heart.

[maddiehanmybeloved]

I miss this show everyday 😭

oh btw in case you've never seen the show, blease watch this

[berry-loves-fanfic]

The Society Masterlist:

Allie Pressman:

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Cassandra Pressman:

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Sam Eliot (male/masc nb only unless platonic):

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Campbell Eliot:

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Elle Tomkins:

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Helena Wu:

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Harry Bingham:

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Luke Holbrook:

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Grizz Visser (male/masc nb only unless platonic):

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Will LeClair:

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Clark Beecher:

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Gordie Moreno:

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Kelly Aldrich:

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Jason Alvarado:

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[dustedmagazine]

Natural Information Society — Since Time is Gravity (Eremite)

Joshua Abrams has been creating music with the Natural Information Society for 14 years. Seven albums in, the group’s name has expanded; they are now Natural Information Society Community Ensemble with Ari Brown. It isn’t just the group’s name that has gotten longer; so has the list of contributors. Joining the core Natural Information Society of Abrams (guimbri and bass), Lisa Alvarado (harmonium), Mikel Patrick Avery (percussion), and Jason Stein (bass clarinet), are Hamid Drake (drums), Josh Berman and Ben Lamar Gay (cornets), Nick Mazzarella and Mai Sugimoto (alto saxophones and flute), Kara Bershad (harp), and the aforementioned tenor saxophonist Ari Brown, in a special guest role that befits his status. Brown is one of the most prominent and celebrated tenor saxophonists of Chicago. Based on the powerful playing displayed here, one would never know that he is nearing eighty.

“Moontide Chorus” builds up from a single bass note to a varied syncopated line in that register. Against it, polyrhythmic percussion and chordal winds are added. Brown solos in a modal idiom that interlocks with the bass parts. The rest of the group rejoins and the percussion takes things double time until the piece’s conclusion. “Murmuration” begins with Bershad playing a gentle harp solo that is then doubled in heterophony by bass instruments. Avery and Drake add economical punctuations and the winds have vertical sonorities. Stein adds a long held tonic drone to the mix that is then doubled by the other winds in octaves. Subsequently, complicated harmonics are evoked by overlapping chords. The bass takes the harp melody and the winds break their chords into corruscating arpeggiations. Brown adds a new melody and Bershad reenters with chordal outlines. Stein adds yet another countermelody alongside a flute solo,   The harp line solo yields to a final denouement. Heady stuff. 

“Is” emphasizes a groove created by drums and guimbri. Over this, Brown takes an extended solo, with wide-ranging scales and blues bends. On the piece’s latter half, a single note ostinato from cornets and passage work from winds fills out the background, and provides a center from which Brown’s solo finds its grounding. Cornets and flute are featured on “Stigmergy,” as are tangy dissonances from the rest of the group. During his solo, Brown creates echoing reverberation. An extended section for muted cornet provides a foil for Brown. Much as the tenor saxophonist is an intrinsic part of the proceedings, having more of the players involved in the soloing makes this a personal favorite. 

“Immemorial” has a fascinating textural profile. Alvarado’s harmonium builds a chordal background onto which sustained notes, glissandos, and microtones are added. Glockenspiel and hand drums create a supple rhythmic underpinning. It is the most adventurous of interactions, and creates beautifully blurred harmonic colors. 

“Wane” and“Wax” are comparatively shorter pieces. On “Wane,” Abrams begins with an extended guimbri solo that is soon joined by Drake’s hand drums. Partway through, they undertake a mixed meter duo that complicates the rhythm. At the end of the piece, the first patterning returns. “Wax” serves as a companion piece that explores shorter rhythmic strands. The recording concludes with “Gravity,” which begins with a loping groove, led by thrumming bass from Abrams, over which Stein solos using Eastern scales. Brown plays a muscular solo that combines a modern jazz approach with a Non Western vocabulary replete with trills. The winds play major sevenths, creating a dissonant background. Brown’s solo moves to a howling climax, followed by a long coda of extended techniques. 

Natural Information Society works well with this expanded complement. The inclusion of Brown is especially effective. Whether the new collaborators will remain, or others players will join Abrams, Since Time is Gravity demonstrates that Natural Information Society is a durable creative enterprise. 

Christian Carey

[hallieao3]

The flowers in my lungs are beautiful (I can not breath)

by Hawks_mohawk

The victim coughs up flower petals when they suffer from one-sided love or what they believe to be one sided. It ends when the beloved returns their feelings or when the victim and their love die.

Words: 852, Chapters: 1/?, Language: English

Fandoms: The Society (TV 2019)

Rating: General Audiences

Warnings: Graphic Depictions Of Violence

Categories: F/M, M/M, Multi

Characters: Jason Alvarado, Clark Beecher, Gareth "Grizz" Visser, Luke Holbrook, Harry Bingham, Campbell Eliot, Sam Eliot, Allie Pressman, Cassandra Pressman, Kelly Aldrich, Helena Wu, Gordie (The Society), Erika (The Society)

Relationships: Jason Alvarado/Clark Beecher, Sam Eliot/Gareth "Grizz" Visser, Harry Bingham/Allie Pressman, Luke Holbrook/Helena Wu

Additional Tags: Clark Beecher is not dumb, Clark Beecher Loves Jason Alvarado, Hanahaki Disease, Not Actually Unrequited Love, Jason Alvarado is bad at feelings, Jason Alvarado Is a good friend, Jason Alvarado Loves Clark Beecher, Background Sam Eliot/Gareth "Grizz" Visser, Boys In Love, Idiots in Love

source https://archiveofourown.org/works/48524635

[grizzing]

“Centurions on me! Centurions on three! One, two, three!”

“CENTURIONS!”

[starlywars]

genuinely depressed that the society season 2 isn’t out yet

[iworshiparchangels]

citizens of new ham

[geekgrizz]

Grizz, annoyed: YOU CAN BE SO ILLITERATE SOMETIMES JASON

Jason: *gasps* how dare you?!? I don’t even know what that word means!!

[viinchester]

The Society :: 01.10 — How It Happens

The Coup // The Arrest

(Allie Pressman, Will LeClair, Luke Holbrook, Jason Alvarado, Campbell Eliot, Shoe)

Links: Part 1 || Part 2 || Part 3 || Part 4 || x || Part 6

[florencepuhg]

THE SOCIETY → 1x04

[riddle-of-the-model]

Jason: Why don’t you have a girlfriend, Grizz? There’s plenty of single girls here. Like Lexie.

Grizz: She’s a psycho and I’m...... gay.

Clark: Oh, like that Christmas song?

Grizz: Come again?

Clark: “Don we now our gay apparel!”

Grizz: I don’t think you understand what that means.

Clark: Uh... yes I do?

Grizz: No, no I don’t think so.

[mandoowhorian]

It hadn’t been even

.0005 seconds since Grizz came back to New Ham

And he IMMEDIATELY saw that Allie’s forehead was bleeding. Look at how concerned he is!

Like imagine. He’s so stoked to come back to the town and say they found land to farm and the animals and fish, and there’s The Guard, his best friends, starting some revolution with a drug addict, a psychopath, and a straight up power-hungry bitch.

And he asks what’s going on but he really only wants to know why Allie is bleeding?!?!

[theguardgifs]

[weakforthejocks]

There are seven natural wonders of the world and guards from the society are four of them